- Know how to generate ideas
- Be able to generate and refine ideas in response to given briefs
STARTER TASK: Recap on progress so far
Showcase and discuss the project so far. What's worked well? Where are you going?
MAIN TASK: 1 Ali Yanya
Use watercolour to create images relating to the work of Ali Yanya. Create layers of colour and shapes allowing each layer to dry before washing over the top with the next layer.
If necessary, use the lightbox to help you!
Ali Yanya
Watercolour: wet on dry techniques
Google doodle of the day!
What? Who? Why?.....
MAIN TASK: 2 Hush
Create a basic stencil either hand drawn or using Photoshop 'Threshold'. Stipple paint through the stencil and add interest with extra detail- collage, fineliner etc.
Hush
Stencils: using basic shape stencils
with (barely) wet materials
Ooh! Look at the similarity!!........
Gustav Klimt- Portrait of Adele Bloch Bauer
Banksy
MAIN TASK: 3 Dryden Goodwin
Use fine liner to create images relating to the work of Dryden Goodwin. Build up tone and contrast by using lines to create areas of light and dark.
Dryden Goodwin
Ink: using line to build shape and tone
MAIN TASK: 4 CPLAD
Learners to discuss materials
used and create CPLAD on first two weeks experimentation
Plenary:
We'll review progress after each
rotation by exchanging and recording ideas exchanging information and advice –
record on post-its and record in sketchbooks in plenary using evaluation sheets
and peer feedback
HOMEWORK:
Review experiments – relating to the 3 artists, to be handed in Wednesday for marking by Thursday
This evaluation should include:
Analysis of each artist, who are they? what materials and techniques do they use? what formal elements do they use (LINE, SHAPE, FORM, COLOUR, TEXTURE) and how to they use them. And finally how do they relate to the workshops you have done? (what was your experience of the workshop, did it work?).
This evaluation should include:
Analysis of each artist, who are they? what materials and techniques do they use? what formal elements do they use (LINE, SHAPE, FORM, COLOUR, TEXTURE) and how to they use them. And finally how do they relate to the workshops you have done? (what was your experience of the workshop, did it work?).
Scan in experiments for use in
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